“He Was a Friend of Mine”

A good friend died last week.

In fact, he was the oldest friend I had. When I was a child, my family moved around a lot. But, we finally settled down. I was in seventh grade and it was March and once again I was in a new school. I was put in a class and sat next to a boy named John. We became good friends and stayed that way for nearly 60 years.

His death was not expected, and it hit me hard.

At the time I had been reading a book about Greenwhich Village. Towards the end the book described the tribute service for the folk singer, Phil Ochs. At it, Dave Van Ronk sang the song “He Was a Friend of Mine,” a song that had long been associated with him and which was a regular part of his repertoire. Yet, he did not write the song–he thought Bob Dylan wrote it and listed him as the writer on his first recording of it. But Dylan didn’t write it.

Dylan had recorded “He was a Friend of Mine” to appear on his first album but it was not selected. Later, Van Ronk recorded it for his first album and credited Dylan as the songwriter, as many of those that followed also did. But Dylan had heard it on a record by Rolf Cahn and Erich von Schmidt who had arranged a traditional folk song first recorded in 1939. Later The Byrds recorded it but changed the words to make the song about JFK after his assassination. Soon other singers/bands would adapt the song to reference anyone who might be dear to them.

Anyway, here’s my version. I haven’t changed or adapted anything that I’m aware of. Enjoy.

“I Remember Everything”

“I Remember Everything” is the last song that John Prine recorded. It was released posthumously in June 2020, 3 months after Prine died of complications from COVID-19. It is a reminiscing, sweet song, looking back on life and love.

There are many great covers of the song. Here is mine. I hope you enjoy.

“Desperado”

“Desperado” is one of the first songs that Glenn Frey and Don Henley wrote together. It is also one of The Eagles’ most popular songs. Never released as a single, it nevertheless banked No. 494 on Rolling Stone‘s 2004 list of “The 500 Greatest Songs of All Time“. But it didn’t become that popular at first, until Linda Ronstadt recorded it in 1973. Her’s was the version that I first heard.

“Funny How Time Slips Away”

Dave Matthews sang this song when he inducted Willie Nelson into the Rock and Roll Hall of Fame. He performed it again at Willie’s 90th birthday celebration. And then just last week I saw Willie perform it at his July 4th picnic in Philadelphia.

Willie wrote it in the early 60’s and it was recorded by Billy Walker in 1961. Walker’s release reached number 23 on the Hot C&W charts. Willie recorded it himself on his debut album “And then I Wrote” consisting of many of the hits he had written that had been recorded by other artists. (“Crazy” by Patsy Cline probably comes first to mind.)

Since then the song has been recorded by countless artists ranging from Brenda Lee and George Jones to Elvis Presley and Dr. John. It is a classic Willie Nelson song that I never get tired of playing or listening to.

“MotorPsycho Nightmare”

Being scared is not an emotion I enjoy. I don’t movies that deal with horror, with psychological trauma, with evil. I don’t even like films with flying monkeys! So suffice it to say, I have not seen many Alfred Hitchcock movies. In fact, The Birds is the only one I have seen. But I do know a lot about them: Hitchcock’s films are part of our zeitgeist, part of our shared cultural heritage. And perhaps none more so than “Psycho.” Even if we have never seen the movie, we know about the Bates Motel, the rocking chair mother, and the shower scene. The tropes of the film are everywhere. And so in 1963/64, Dylan played with the tropes of the film and created a fun song…with a slight political point to make.

“Cassidy”

Neal Cassidy was the inspiration for Sal Paradiso in Jack Kerouc’s On the Road. He was also the driver of the bus for Ken Kesey’s Merry Pranksters. (Memorialized so well by Tom Wolfe in The ELectric Kool Aid Acid Test. Larger than life and overflowing with energy and charisma, he is also the subject of Bob Weir’s song “Cassidy.” I’ve always loved it. I hope you like it.

“Sittin’ on Top of the World”

I don’t know why but lately I’ve been hearing the Flatlanders’ version of “Sittin’ on Top of the World” a lot. The Flatlanders–consisting of Jimmie Dale Gilmore, Joe Ely and Butch Hancock, childhood friends from Lubbock, Texas –are as their one album states “More of a Legend than a Band,” rarely tour or record, but have influenced as disparate artists as Uncle Tupelo and the Clash.

But I knew this song mostly from Doc Watson and then as a country-blues-bluegrass piece rather than the rollicking sound of the Flatlanders’ version. Originally recorded by the Memphis Sheiks, it has been recorded and performed by so many people, in so many styles. Enjoy it.

Another Sunday Morning Tune (No. 213)

“Fishin’ Blues”

The Lovin’ Spoonful were a meteoric band that left the scene almost as quickly as they arrived. Within 14 months, from October 1965 to January 1967, their first seven singles reached the Top Ten. (Only the Beatles and the Rolling Stones outperformed them in 1966 according to Billboard magazine.)

“Fishin’ Blues” appeared on their debut album, one of the first albums I ever bought. I hope you enjoy it.

Original song: “Headed Straight to Nowhere”

Most of my Sunday Morning Tunes are covers of other people’s songs. This week, however, I’m putting up an original song. Hope you like it.

Performing in a pandemic year

Buskers wearing masks

I had planned to quit teaching at the end of the 2019-2020 school year. Pack it in, that June. I had no real definite plans besides vague ideas of going to movies and concerts, hanging in coffee houses and museums, traveling a bit and eating out a lot. I also wanted to grow my “music career.” The previous year had been a good one with nearly 40 shows, and I figured that in 2020 I would be able to increase that number significantly.

Well, to paraphrase Robert Burns, “…the best laid plans of mice and men, gang aft agley.”

Robert Burns

School was to end in June, but the lock-down started in March. From mid-March (when I posted my last blog piece) up to then, all learning was virtual, on-line. I never again returned to the classroom. Movie theaters and museums shut their doors; restaurants and cafes as well, doing their best to stay afloat through take-out and out-door service. Traveling was limited and probably unwise and unsafe. And music venues were shuttered. That first week of “lock-down” I had three gigs cancelled. And I was glad…in full support.

Soon people started improvising. One venue set up “live streaming, virtual concerts”–I’ve done three of them. When the weather turned nice, another place used its out-door space for music (though masks had to be worn throughout all performances. An odd experience.)

In my city, we moved from take-out dining only to outdoor dining to 10% indoor capacity to 25% and then back to outdoor dining only. It was brutal on the small businesses, the fledgling pubs, the local shops. Many of them are not coming back. But many are…and will.

Me, on the other hand, I decided to put out a video on YouTube every Sunday: “Another Sunday Morning Tune.” If nothing else, it kept me busy and grew my fan-base to a large degree. I also concentrated on my songwriting and on learning the art of recording and production. That second part is not easy, and I’ve still got a lot to learn. But I got some good work done.

By the last quarter of the year, some places were opening and I was getting jobs again.

I also found a way to embed my original music onto this blog site. I hope you check it out. My songs are available on most streaming services, but here is a way you can listen to them right now.

Have fun and enjoy!

And to be sure to receive info on upcoming shows, new song releases, and new Sunday videos, please check out the Music Schedule Page above.