“He Was a Friend of Mine”

A good friend died last week.

In fact, he was the oldest friend I had. When I was a child, my family moved around a lot. But, we finally settled down. I was in seventh grade and it was March and once again I was in a new school. I was put in a class and sat next to a boy named John. We became good friends and stayed that way for nearly 60 years.

His death was not expected, and it hit me hard.

At the time I had been reading a book about Greenwhich Village. Towards the end the book described the tribute service for the folk singer, Phil Ochs. At it, Dave Van Ronk sang the song “He Was a Friend of Mine,” a song that had long been associated with him and which was a regular part of his repertoire. Yet, he did not write the song–he thought Bob Dylan wrote it and listed him as the writer on his first recording of it. But Dylan didn’t write it.

Dylan had recorded “He was a Friend of Mine” to appear on his first album but it was not selected. Later, Van Ronk recorded it for his first album and credited Dylan as the songwriter, as many of those that followed also did. But Dylan had heard it on a record by Rolf Cahn and Erich von Schmidt who had arranged a traditional folk song first recorded in 1939. Later The Byrds recorded it but changed the words to make the song about JFK after his assassination. Soon other singers/bands would adapt the song to reference anyone who might be dear to them.

Anyway, here’s my version. I haven’t changed or adapted anything that I’m aware of. Enjoy.

“Urge for Going”

In 1966 Joni Mitchell introduced her song “Urge for Going” as a single that her friend Tom Rush recorded and which would appear on his 1968 album, “The Circle Game.” In fact, Joni did not release the song until 1972 and then as the B-side of “You Turn Me On, I’m a Radio”–the first time she had placed a “non-album” song on a single release. In fact, the song did not appear on an album until thirty years after she had written it, on a 1996 compilation album called “Hits.”

It is one of my favorite songs.

“I Remember Everything”

“I Remember Everything” is the last song that John Prine recorded. It was released posthumously in June 2020, 3 months after Prine died of complications from COVID-19. It is a reminiscing, sweet song, looking back on life and love.

There are many great covers of the song. Here is mine. I hope you enjoy.

“Desperado”

“Desperado” is one of the first songs that Glenn Frey and Don Henley wrote together. It is also one of The Eagles’ most popular songs. Never released as a single, it nevertheless banked No. 494 on Rolling Stone‘s 2004 list of “The 500 Greatest Songs of All Time“. But it didn’t become that popular at first, until Linda Ronstadt recorded it in 1973. Her’s was the version that I first heard.

“In the Jailhouse Now”

Jimmy Rodgers–the “Singing Brakeman” recorded “In the Jailhouse Now” in 1928. Since then, countless people have covered it–from Johnny Cash, Merle Haggard and Doc Watson to Jim Croce, Jerry Garcia and Webb Pierce. I learned it from Leon Russel who had recorded it for his “Hank Wilson’s Back” album. The song also appeared in the film and on the soundtrack of “O Brother, Where Art Thou.” I like playing it…I hope you enjoy it.

“Funny How Time Slips Away”

Dave Matthews sang this song when he inducted Willie Nelson into the Rock and Roll Hall of Fame. He performed it again at Willie’s 90th birthday celebration. And then just last week I saw Willie perform it at his July 4th picnic in Philadelphia.

Willie wrote it in the early 60’s and it was recorded by Billy Walker in 1961. Walker’s release reached number 23 on the Hot C&W charts. Willie recorded it himself on his debut album “And then I Wrote” consisting of many of the hits he had written that had been recorded by other artists. (“Crazy” by Patsy Cline probably comes first to mind.)

Since then the song has been recorded by countless artists ranging from Brenda Lee and George Jones to Elvis Presley and Dr. John. It is a classic Willie Nelson song that I never get tired of playing or listening to.

“Summertime Again”

A few weeks ago, a local radio station had a 24-hour song-writing challenge: on Saturday at noon it give us a single word prompt and then we had to write a song, record it, and do a video of it by noon the next day. I got the song written, but not the recording and video. Here it is, minus one of the verses.

Missing verse:
Blues are running, the crab pot’s filled.
Iced rum runner sweats on a wooden sill.
Penny a point in an endless game of gin.
Yellowed paperbacks, dominoes,
Baseball broadcasts on the radio.
Summertime is when we go all in.

“MotorPsycho Nightmare”

Being scared is not an emotion I enjoy. I don’t movies that deal with horror, with psychological trauma, with evil. I don’t even like films with flying monkeys! So suffice it to say, I have not seen many Alfred Hitchcock movies. In fact, The Birds is the only one I have seen. But I do know a lot about them: Hitchcock’s films are part of our zeitgeist, part of our shared cultural heritage. And perhaps none more so than “Psycho.” Even if we have never seen the movie, we know about the Bates Motel, the rocking chair mother, and the shower scene. The tropes of the film are everywhere. And so in 1963/64, Dylan played with the tropes of the film and created a fun song…with a slight political point to make.

Down Along the Cove

Dylan’s John Wesley Hardin was his eighth studio album and came almost two years after the ground breaking Blonde on Blonde album. And true to Dylan’s form it was nothing like that album, or anything else at the time. Appearing at a time when the Beatles had released Sgt. Pepper, the Stones had released Their Satanic Majesties Request and Jefferson Airplane released After Bathing at Baxters, Dylan recorded the album with just two musicians–Kenneth A. Buttery on drums, Charlie McCoy on Base. And on two songs, Pete Drake played steel guitar. Dylan’s voice was softer and smoother, the songs more lilting, the lyrics more cryptic, and the entire album unlike anything recorded at the time. Over the years, it has become one of his most enduring albums.

“Down Along the Cove” (Cover): Another Sunday Morning Tune (no. 217)

“Cassidy”

Neal Cassidy was the inspiration for Sal Paradiso in Jack Kerouc’s On the Road. He was also the driver of the bus for Ken Kesey’s Merry Pranksters. (Memorialized so well by Tom Wolfe in The ELectric Kool Aid Acid Test. Larger than life and overflowing with energy and charisma, he is also the subject of Bob Weir’s song “Cassidy.” I’ve always loved it. I hope you like it.